It’s my usual tradition to spend NYE turning through every page in my sketchbooks for the year, and then sketching my collection. It is not the most exciting sketch of the year, but it is an important one!
My average number of sketchbooks completed in a year is 20… and that was what I did once again in 2015. One a month during my everyday life and one a week when I travel!
I wasn’t planning on doing a review of my year, but as I looked through these sketch books this afternoon, I was struck by two things:
- how much change I have felt in my own work this year
- how each sketchbook represented a distinct stage.
So I couldn’t resist taking some photos showing an important spread for each book.
January & February: I started the year finishing off my Foundations course and then went straight down to Tasmania for a ‘work trip’. I found myself sketching more street scenes rather iconic buildings and then on the last afternoon did a few quick ink-only sketches. These cross hatched drawings were surprisingly satisfying! This started a big new trend in my work for the year.
April: I had a challenging 2 weeks in Melbourne unable to sketch at my normal pace but right at the end of my trip, I managed two ink and wash sketches. I really enjoyed a different colour palette with all the autumn leaves. (oops sorry about the sideways images!)
June: Seemingly out of nowhere I got people into in my sketchbook (actually it was in response to a challenge by Marc Taro Holmes). Still got a long way to go, but this was a major breakthrough this year.
Other daily sketchbooks: Like last year, I used an A4 moleskine for special sketching days out and about in Sydney. I only used 2 such books in 2015, the first started with the outdoor demos for Foundations (a big step when you are filming, teaching and trying to produce a good sketch all at the one time) and the second book I started in July when I started filming myself with two cameras and contains Edges demos and numerous sketches of Barangaroo. The new Barangaroo Development is a big part of the life Sydney this year!
I also used the little “Perfect Sketchbook” for a food diary – need to get back to that in early 2016!
July in Singapore: Of course the Urban Sketchers Symposium was an incredible experience, but I really enjoyed some time to focus on my watercolour work. In particular, I was able to apply some of my ‘teacup techniques’ to more complex street scenes. At the end of my time in Singapore I started more shape-based work.
August in Cambodia: The shape-based approach was really helpful for sketching the extremely complex and challenging architecture of the Angkor temples. Using a second, smaller sketchbook was liberating, and attempting to sketch in the Siem Reap Old Market was a big achievement for me (huge thanks to the inspiration of Suhita Shirodkar). Sorry about another sideways image!
August, September, early October: On my return form my big trip I was foucsed on Edges, and surprisingly went into a period of changing my normal sketchbook – A5 portrait Beta, and Delta and then a spiral bound. These books included cafe downtime during my SketchingNow Edges Adventures, the start of a Palladio fad and a three day workshop in Tasmania.
End of October: My great escape to Norfolk Island – figuring out how to get very different paper to work for me, sketching extremely fast and loose, creating more complete scenes and really focusing on capturing the light.
December: Morning lattes and Fountain Pens (don’t need to say anything more than that – hey?)
- Things happen when you just keep sketching
- Allow yourself to follow the creative journey wherever it takes you
- The value of sketching your life in a sketchbook – what an amazing record you create of your life and creative journey in the one place!
Anyway – thanks again for being a HUGE part of my adventures in 2015.
Happy New Year to you all! See you in 2016…